
Zongyi (Charlie), with a deep understanding of vocal technique acquired through extensive training in pop, classical, and musical theatre styles, offers comprehensive voice lessons tailored to each student's needs. As a third-year Music Performance major at Concordia University, specializing in Commercial Contemporary Music (CCM), Zongyi brings a wealth of experience in ballad, folk, R&B, softcore rock, and Chinese pop music. His musical journey began at a young age, honing his skills in performance and vocal training. Fluent in English and Mandarin, Zongyi provides coaching in Chinese popular music and offers guidance on Mandarin diction for singing. Whether online, in-studio, or in your home, Zongyi (Charlie) is committed to fostering healthy vocal techniques and empowering students to express themselves authentically through music. Book an interview now.
Throughout my musical life, singing has always played an irreplaceable role. I think we all know that our voice, or the voicing system, is not only an instrument but also the core of our daily expressions. We use this system every day. In fact, we use our voices too often that we think it is just a small thing that we do not seem to pay a lot of attention to. Thus, a lot of us have never really think about whether they are using their voicing system correctly. In the world of pop music, one of the most important concepts and singing strategy is SLS (Speech Level Singing) suggesting that our singing should be as easy as when we are speaking normally, no matter the range. However, Over the years of my vocal training and the observation I have done as I am doing them, I found the bug in it is that some, if not a lot of us, are not using our voices correctly when we speak. One small example is that some of us either undersupport or oversupport their voice when speaking. Thus if we cannot use our voice even when we are speaking, how can we take that into singing and call it the right technique? Therefore, I would always start by helping my student find the "healthy" way to create sound using their voicing system---how to speak healthily, and by refining all these "little bricks, and foundation of the building" we can make sure that the "building is stable and can last longer".
I am currently a 3rd-year student majoring in Music Performance at Concordia University with CCM (Commercial Contemporary Music, aka. pop singing) (specifically, Ballad, Folk, R&B, Softcore Rock, and also Chinese style pop songs) as my primary domain of expertise. Besides, I have also had some cross training that involves classical and musical theatre voice training together with several years of vocal training and performance experience from the age of 9 to nowadays. The story of my musical education can be traced back to when I was 4 years old. I have shown a high enthusiasm and talent in music and respond well to music even as a baby. So my parent decided to have me learn singing with a senior professor at the Chinese Central College of Music, which is the enlightenment of my musical and vocal studies. I stopped after a year because of family issues and restarted learning to sing at the age of 9. I am very lucky to have a very professional and approachable voice teacher who has unlocked my full potential and talent in singing. It was at that time that I was exposed to more intensive vocal training and performance opportunities. Having participated in the Children Choir (北京七色光合唱团) (does not have an English name) established by the Beijing Centural TV Channel aside from the vocal studies I was pursuing, I am able to say that I have a considerable amount of performance experience, which is still the foundation that supports my performances now.
Childhood and adolescence (in China): I have been singing with the Child Choir (北京七色光合唱团)(does not have an English name) established and sponsored by Beijing TV Channel. Altogether, I have gained a lot of opportunities to perform, from solo performances at school competitions, and art festivals in an auditorium, to the performance with the choir at the Spring Festival Gala stage held by the Chinese Central TV Channel. Adulthood: Solo half recital (with accompaniment) for my voice private study at Concordia University (Oscar Peterson Concert Hall); Performance in Chamber Ensemble class at Concordia University (Oscar Peterson Concert Hall); Performances on mini concerts held by my private study professor.
Able to coach Chinese popular music; Able to help students with Mandarin dictions and articulations in singing (or speaking)
Zongyi (Charlie) is a Beethoven at Home Associate Teacher
Home visit fee: $15 minimum fee. Teachers may negotiate a higher travel fee if the travel distance is longer than they are comfortable with. Most arrangements use the minimum fee.
One-Time Family Registration: $25. This covers your entire family for life - once you're in, everyone can take lessons!
Getting Started Together
We don't offer free trials, but we do something better - a relaxed 2-lesson getting-to-know-you period. You can pause anytime with just 24 hours notice. After your third lesson, we ask for a friendly 2-lesson heads up if you need to stop.
Life Happens - We Get It
Give us 24 hours notice for any cancellation or reschedule and you'll receive full credit. Planning a family vacation or summer break? Perfect - just let us know a day ahead and we'll pause your lessons.
When You're Under the Weather
If illness strikes with short notice (less than 24 hours), you'll still be charged since your teacher has reserved that time. However, most teachers are happy to offer makeup lessons when possible - they have the final say, especially if last-minute cancellations become a pattern.
Stopping Lessons
Need to take a break? We just ask for a 2-lesson notice:
Weekly lessons = 2 weeks notice
Every other week = 3 weeks notice
Twice weekly = 1 week notice
Summer breaks are different - no notice period needed when you return in the fall!
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