Teresa | BAH Teacher 3007 | Online | In my studio

Teresa | Teacher #3007

Elite
$59/ 30 min | $74/ 45 min | $89/ 60 min

About Teresa

Teresa specializes in English Horn and Oboe, along with ear training and music theory for beginners to intermediates. With a Master of Music in Oboe Performance from Indiana University Jacobs School of Music and a rich teaching philosophy that integrates personal attention, musical expression, technical mastery, and comprehensive reed-making knowledge. Fluent in English, Mandarin, and Taiwanese, Teresa's lessons are available online, in students' homes, or at her studio, designed to guide students in discovering their musical potential and achieving performance excellence. Book an interview now.

Services Offered
Oboe English Horn Ear Training Music Theory (Beginner-Intermediate)
Teaching Locations
Online Lessons In Studio Lessons
Musical Styles
Classical Baroque
Languages
English Mandarin Taiwanese

Teaching Philosophy

1. Personal: My philosophy of being a successful teacher is to obtain the qualities of being devoted, skillful, organized, sensitive, and knowledgeable. During a student’s lesson, I believe that he or she is the most important matter within the teacher’s moment. I should devote myself to the needs of a student and be able to provide solutions to his or her challenges. I also believe that a teacher never stops learning. Studying and practicing new literature, attending seminars, reading books, and performing regularly will provide useful needs of each student, and increase the variety of designing personal lessons. Being purposeful and organized will facilitate the maximum experience in music learning for students. By demonstrating examples, articulating musical and technical knowledge, and problem-solving, I am confident to guide them to grow and discover their potential while studying with me. Lastly, I relish my belief in building trust with my students. Maintaining a good relationship will enhance a friendly environment and uphold the possibilities of improvements. 2. Musical: Being a great performer is to always play the oboe beautifully with confidence, love and honesty. Music serves as a medium to comfort people and relates to personal experiences. I believe it is a musician’s responsibility to understand the piece he or she is playing thoroughly and to incorporate appropriate musical characters to create an inspiring performance. It is, too, for students to release their personal emotions through a healthy medium, creating a safe space for them to voice up and comfort them. 3. Technical: Being a great performer needs to be skillful to play the oboe beautifully and musically. In my opinion, playing with ease, control, flexibility, and mobility provides accountability to demonstrate a musician’s technique. These aspects give him or her the tools to be able to perform a wide range of oboe literature and to convey music expressively. Another significant point is to be creative in one’s practice sessions. I believe musicians are creators who curiously explore practicing as an enjoyable process. By thinking through and analyzing a problem, this method guides us to solve it internally with the potential of finding your concept of playing the oboe. 4. Reeds: Reeds are essential because they are the most important factor in producing a sound out of the oboe. Before starting reed making, I believe taking good care of your tools is exceptionally significant. They are expensive and delicate. If they are in good condition, you will be enjoying reed making process with consistent and excellent results. A student will need to comprehend the concepts of reed making procedure. His or her reeds should be played with efficiency and ease while obtaining the quality of sounding deep and creamy.

Musical Education

I graduated from Indiana University Jacobs School of Music in May, 2022, as a student of Professor Linda Strommen, receiving Master of Music in Oboe Performance. Currently, I’m a freelancer performing regularly with the Vancouver Symphony Orchestra, the Victoria Symphony, the Vancouver Metropolitan Orchestra and many more in the greater Vancouver area. I started learning oboe since 10 years old. After immigrated to Canada in 2010, I began my study with the former principal oboist of the Vancouver Symphony, Roger Cole, for 2 years, preparing for music school applications. I got accepted to the Peabody Institute of the Johns Hopkins University, studying under the tutelage of Katherine Needleman, the principal oboist of the Baltimore Symphony. In 2017, I earned my Bachelor of Music in oboe performance and was the recipient of the Richard Franko Goldman Prize in Performance. I began studying with three renown teachers at the Bard Conservatory of Music, with Elaine Douvas, the principal oboe of the Metropolitan Opera, Melissa Hooper, the assistant principal oboe of the Baltimore Symphony, and Alexandra Knoll. The school provided full scholarship and stipend. Under the studies for 2 years, I received the Advanced Performance Studies diploma in 2019. There are a couple of the highlighted moments throughout the years of studying at schools. In 2016, I got selected as a student soloist to perform in Joseph Haydn’s Sinfonia Concertante with two of my colleagues, bassoonist Phillip Kolker, and the famous pianist and conductor, Leon Fleisher. I was also a substitute member who frequently performed with the Orchestra Now in Carnegie Hall, Lincoln Center and the Metropolitan Museum of Art. In 2018, I was invited to serve as the oboe faculty at the Bard Summer Camp. I also got the opportunity to record several contemporary composers’ pieces. In 2017, I was the principal oboe of the Peabody Symphony, recording Aaron Jay Kernis Flute Concerto with Marina Piccinini under Leonard Slatkin’s baton. I attended the New Music Ensemble in 2019, performing and recording Tansy Davies’s Falling Angel, P.Q. Phan’s Poeme et Danes concertante, etc. In 2021, I also collaborated with Daniel Cueto, performing his reed quintet, Amaru, at the Indiana University.

Awards and Distinctions

- World Classical Music Awards, 2022 (Gold prize in Baroque and Romantic categories.) - New York Golden Classical Music Awards, 2022 (First prize in professional division.) - Las Conchillas International music Competition, 2022 (Third prize in professional division.) - Medici International Music Competition, 2022 (Third prize in professional division.) - Richard Franko Goldman Prize in Performance, 2017

Special Skills and Trainings

Freelance Oboist: -Vancouver Symphony Orchestra -Victoria Symphony -Vancouver Metropolitan Orchestra -Vancouver Island Symphony -Okanagan Symphony Music Festivals: - Brevard Music Center, 2022 - Prague Summer Nights Festival, 2019 - Domaine-Forget International Music Academy, 2016 - Curtis Summer Fest, 2015 Masterclasses Experiences With: - John Ferrillo at IU Jacobs School of music, 2020 - Dwight Parry at the Prague Summer Nights Festival, 2019 - Lucas Macias Navarro and Oliver Doise at the Domaine-Forget I’ntl Music Academy, 2016 - Richard Woodhams and Michael Lisicky at the Baltimore Oboe Weekend, 2015 - Elaine Douvas at the Peabody Institute, 2015 - Ariana Ghez at the Peabody Institute, 2014 Other Musical Experiences: - private piano teacher - private theory teacher - assistant orchestra librarian - practice room scheduler

Lessons in a music studio

Teresa offers lessons from her studio. Map locations are approximate and based on the postal code of the teacher’s studio. The full address will be provided upon registration.

Lessons on an online platform

Teresa can provide online instruction. While other platforms are possible BAH strongly recommends the use of the Zoom video conferencing platform as it is optimized for music lessons and audio quality.

Reviews

Elite Teacher Lesson Rates:

Teresa is a Beethoven at Home Elite Teacher

  • 30 minutes: $59
  • 45 minutes: $74
  • 60 minutes: $89

Home visit fee: $15 minimum fee. Teachers may negotiate a higher travel fee if the travel distance is longer than they are comfortable with. Most arrangements use the minimum fee.

One-Time Family Registration: $25. This covers your entire family for life - once you're in, everyone can take lessons!

Our Promise to You

Getting Started Together
We don't offer free trials, but we do something better - a relaxed 2-lesson getting-to-know-you period. You can pause anytime with just 24 hours notice. After your third lesson, we ask for a friendly 2-lesson heads up if you need to stop.

Life Happens - We Get It
Give us 24 hours notice for any cancellation or reschedule and you'll receive full credit. Planning a family vacation or summer break? Perfect - just let us know a day ahead and we'll pause your lessons.

When You're Under the Weather
If illness strikes with short notice (less than 24 hours), you'll still be charged since your teacher has reserved that time. However, most teachers are happy to offer makeup lessons when possible - they have the final say, especially if last-minute cancellations become a pattern.

Stopping Lessons
Need to take a break? We just ask for a 2-lesson notice:

Weekly lessons = 2 weeks notice
Every other week = 3 weeks notice
Twice weekly = 1 week notice

Summer breaks are different - no notice period needed when you return in the fall!

BOOK WITH TERESA - Beethoven at Home Teacher #3007

Beethoven at Home Elite Teacher


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