
Kathryn, a skilled musician with RCM ARCT diplomas in piano and violin, offers personalized lessons in her studio, in your home, and online. Fluent in English, French, and Mandarin, she fosters a nurturing environment where students can explore music freely. With a rich musical background and experience in competitions and performances, Kathryn emphasizes self-interpretation and creativity in her teaching. Her philosophy centers on shaping lessons according to each student's unique learning style, allowing them to express themselves gallantly and from the heart. Join Kathryn for an enriching musical journey today.
Music has been a part of me for as long as I can remember. I started piano at the age of four and violin at the age of seven, and from those first notes, I was captivated. I didn’t need to be convinced to practice. I was drawn to music instinctively. It was a natural talent, yes, but more importantly, it was a passion that shaped the way I see the world. Growing up, music was both my discipline and my joy. I performed frequently, entering piano competitions from a young age and learning to manage nerves, focus under pressure, and find pride in the hours of work behind every performance. Violin brought me a whole new dimension of musical life, from joining fiddling groups that celebrated community and energy, to playing in orchestras where teamwork, listening, and leadership were essential. Over the years, I had the honour of serving as Concertmaster for the Richmond Delta Youth Orchestra and as Principal Second Violinist for the Vancouver Academy of Music Symphony Orchestra, experiences that deepened my understanding of ensemble playing and musical responsibility. My journey with music wasn’t just about performing. It was about developing a relationship with my instruments. A fun fact about me is that I’ve been repairing violins with my dad ever since I was little. I learned how to handle an instrument with care, how to understand its structure, and how to bring out its best possible sound. That hands-on experience taught me that music isn’t only about the notes we play. It’s about respect for the craft, the artistry, and the instrument itself. One of the most important things I’ve learned over the years is that no two musicians are alike. Every student comes to music with their own personality, learning style, and goals. Some students thrive with structured step-by-step instruction, while others flourish through creativity and exploration. My role is to adapt to you. I design lessons that fit your pace, your interests, and your strengths, so that learning is not just productive, but also enjoyable. I believe music education should never be “one-size-fits-all.” My goal is to help you discover your own relationship with music, whether you’re aiming for competitions and recitals or simply playing for personal enjoyment. I don’t believe in “just learning a song.” You already carry music within you. My job is to help you bring it out through your instrument. We focus on the process, not just the end result. This means learning how to break down challenges, understand the story behind the music, and make artistic choices that feel authentic to you. When you approach a piece this way, it becomes more than a collection of notes as it becomes a personal performance that you understand and own. Strong technique is the foundation for freedom in music. Posture, bow control, intonation, and hand shape are all essential skills, and I work to build these steadily and naturally. But I also believe technique should serve expression, not overshadow it. In my lessons, we work on both simultaneously: refining the mechanics so that you can express yourself without limitation, and exploring musical interpretation so that your playing feels alive and unique. Music is meant to enrich your life, not create anxiety. My lessons are a space where you can make mistakes without judgment, ask questions freely, and take creative risks. I celebrate progress, no matter how small, and encourage patience and persistence. I know from personal experience that growth happens most when you feel supported. The best breakthroughs often come in moments when you feel safe enough to try something new. While I provide technical and stylistic guidance, I highly encourage students to make interpretive choices. Whether that’s experimenting with dynamics, adjusting phrasing, or exploring tone colour, I want my students to feel confident shaping their own sound. We also look at the historical and emotional context of a piece, such as what was happening when it was written, what the composer intended, and how you can honour that while still making it your own. Teaching is never a one-way street. My students continually inspire me with their creativity, curiosity, and determination pushing me to keep growing as a teacher and as a musician. Every lesson is an exchange: I offer my knowledge and experience, and in return, I gain new perspectives and ideas. I want my students to become not just skilled players, but well-rounded musicians. This means developing a good ear, learning to read and understand music theory in a way that feels approachable, and building performance skills that help you feel confident on stage, or even just when playing for friends and family. My aim is for you to leave our lessons with the tools to learn new music independently, interpret it meaningfully, and enjoy the process for years to come. I teach because I believe music has the power to change lives, and because it has changed mine. It has taught me discipline, creativity, resilience, and empathy. It has given me lifelong friendships, unforgettable experiences, and a deeper understanding of myself. Every time I see a student light up when they master a passage, find their sound, or connect with a piece emotionally, I’m reminded why I do this work. Music is not just about performance. It’s about growth, connection, and self-discovery. Whether you’re picking up the violin for the first time, returning after a break, or aiming for high-level performance goals, I will meet you where you are. Our lessons will be tailored to your needs, respectful of your pace, and always focused on making music a positive, enriching part of your life. I believe in you, and I believe in your potential to make music that is uniquely yours. In short: My philosophy is rooted in respect for the student, for the music, and for the instrument. I aim to create lessons that are collaborative, inspiring, and adaptable, so that each student can find their voice as a musician. From my earliest days as a young performer to my current role as a teacher, one truth has always guided me: music is not just something we learn. It’s something we live.
I am currently completing a double major in Philosophy and Music at the University of British Columbia, combining my academic passions with my lifelong dedication to performance and music education. I hold RCM ARCT diplomas in both violin and piano, as well as having completed all RCM theory levels. My musical journey began early — piano at the age of four and violin at seven — and has been shaped by exceptional teachers and diverse performance experiences. On piano, I studied under Professor Li Xiao, a distinguished musician professionally trained in China. Professor Li, a former faculty member at the Xinghai Conservatory of Music, studied under esteemed professors Xu Xinpu, Yuan Biao, Liu Shanger, Yu Jiaying, and Jin Shi, and has guided many award-winning students. On violin, I trained with Lawrie Hill at the Vancouver Academy of Music, a highly respected Canadian violinist who studied with Gwen Thompson, Tom Rolston, Ranald Shean, and Yasuko Eastman. She was a member of the CBC Radio Orchestra and has performed internationally. Throughout my studies, I have been actively involved in Vancouver’s music community. I have competed in numerous festivals and competitions, including the Richmond Music Festival, Kiwanis Music Festival, and the British Columbia Conservatory of Music Festival. Earlier in my violin studies, under the guidance of Lorraine Grescoe, I led the Fraser River Fiddlers for many years, performing across the Lower Mainland. I also served as Concertmaster of the Richmond Delta Youth Orchestra (RDYO) and later as Assistant Concertmaster and Associate Principal Second Violinist with the Vancouver Academy of Music Symphony Orchestra (VAMSO).
- Medal for the highest exam mark in an RCM Exam, receiving Honours with Distinction - British Columbia Conservatory of Music (BCCM) trophy for Canadian Composers (piano) - 1st-place awards in the BCCM for piano and violin - 1st-place awards in the Richmond Music Festival (RMF) for piano - 1st-place awards in the Kiwanis Music Festival (KMF) for violin - ARCT Diploma in both piano and violin
As a child, I would spend hours playing with cassette tapes and old CDs. Many of those were orchestral music or classical piano music. Immediately, I was entranced by how beautiful music by just one instrument or a whole string of instruments could sound. After picking up both the piano and violin, I spent most of my time practicing both instruments. On the piano, I loved going to piano recitals as it allowed me to express myself onstage to many people. I also enjoyed competing; not because of the potential awards, but because I knew that in every competition I would learn something. I could listen and learn from other students, and I could also learn from professional adjudicators. The same goes for violin - I did violin gigs for the Maritime Festival at a young age and this was something I enjoyed a lot as I could provide a lively atmosphere for people walking around. I became a piano tutor for younger kids and helped them learn new ways to practice. I then became a freelance piano instructor for younger children and also started teaching the violin as well. I participated in a non-profit organization at my high school, where we would accept young students from elementary schools in the neighbourhood and teach them violin. I was an instructor to groups of kids, so I quite enjoyed having to adapt to multiple learning methods and bring each of them together.
Kathryn is a Beethoven at Home Principal Teacher
Home visit fee: $15 minimum fee. Teachers may negotiate a higher travel fee if the travel distance is longer than they are comfortable with. Most arrangements use the minimum fee.
One-Time Family Registration: $25. This covers your entire family for life - once you're in, everyone can take lessons!
Getting Started Together
We don't offer free trials, but we do something better - a relaxed 2-lesson getting-to-know-you period. You can pause anytime with just 24 hours notice. After your third lesson, we ask for a friendly 2-lesson heads up if you need to stop.
Life Happens - We Get It
Give us 24 hours notice for any cancellation or reschedule and you'll receive full credit. Planning a family vacation or summer break? Perfect - just let us know a day ahead and we'll pause your lessons.
When You're Under the Weather
If illness strikes with short notice (less than 24 hours), you'll still be charged since your teacher has reserved that time. However, most teachers are happy to offer makeup lessons when possible - they have the final say, especially if last-minute cancellations become a pattern.
Stopping Lessons
Need to take a break? We just ask for a 2-lesson notice:
Weekly lessons = 2 weeks notice
Every other week = 3 weeks notice
Twice weekly = 1 week notice
Summer breaks are different - no notice period needed when you return in the fall!
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