About Yuntong (Mary)
Yuntong (Mary) offers piano lessons for students aged 3 to adults. She holds a Bachelor and Master of Music from Mannes School of Music and a Master of Educational Leadership from VIU. She is fluent in English and Mandarin, and her extensive performance history includes concerts at Lincoln Center and Carnegie Hall. She provides lessons online, at her studio in Nanaimo, or in students' homes. Beyond just piano lessons she also specializes in dictation, ear training, music theory, and RCM examinations.
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Teaching piano is a blend of art, science, and philosophy, where the instructor not only imparts technical skills but also nurtures a deep appreciation and understanding of music. 1. Individualized Learning. Assessment: Start with assessing the student's current skill level, musical background, and learning style. This can involve informal conversations, observing their playing, and simple diagnostic tests. Personalized Goals: Set personalized short-term and long-term goals based on the student's interests and aspirations. For example, a beginner might focus on basic skills and simple pieces, while an advanced student might work on complex repertoire and performance techniques. Adaptable Teaching Methods: Use a variety of teaching methods to match the student's learning style. Visual learners might benefit from watching demonstrations and using visual aids, while kinesthetic learners might prefer hands-on activities and physical practice. Regular Feedback: Provide regular, specific feedback that addresses individual needs. Highlight strengths to boost confidence and offer constructive criticism to guide improvement. Strategies: Create custom practice plans. Choose repertoires that align with the student's interests and skill level. Adjust lesson pacing based on the student’s progress. 2. Foundational Techniques. Proper Posture: Teach correct seating position, hand shape, and arm movement. Proper posture helps prevent injury and facilitates better control over the instrument. Finger Strength and Independence: Exercises like scales, arpeggios, and finger drills help build finger strength and independence. This foundational skill is crucial for playing more advanced pieces smoothly. Basic Rhythms and Patterns: Ensure the student can understand and perform basic rhythms and patterns. This includes counting out loud, clapping rhythms, and using a metronome. Strategies: Use beginner exercises from method books such as "Hanon" or "Czerny" to build technical skills. Integrate simple pieces that reinforce basic techniques. Regularly check and correct posture and hand positioning during lessons. 3. Musicality and Expression. Emotional Connection: Encourage students to connect emotionally with the pieces they are playing. Discuss the mood and story behind each piece and how it can be expressed musically. Dynamics and Phrasing: Teach students how to use dynamics (louds and softs) and phrasing (musical sentences) to make their playing more expressive. Articulation: Differentiate between legato (smooth and connected) and staccato (short and detached) playing. Proper articulation adds texture and interest to the music. Strategies: Model expressive playing and have students imitate. Use imagery and stories to help students understand and convey the emotions in music. Encourage students to experiment with different dynamics and articulations in their practice. 4. Encouraging Creativity. Improvisation: Allow students to explore improvisation. This can be as simple as creating variations on a familiar tune or experimenting with scales and chord progressions. Composition: Guide students in composing their own music. This helps them understand the musical structure and develop a deeper appreciation for the pieces they play. Exploration: Encourage students to explore different genres and styles, fostering a broad musical perspective. Strategies: Dedicate a portion of each lesson to creative activities. Provide frameworks for improvisation, such as starting with pentatonic scales or blues progressions. Use software or apps that facilitate composition and musical experimentation. 5. Positive Reinforcement and Motivation. Celebrate Achievements: Recognize and celebrate both small and large accomplishments to boost the student's confidence and motivation. Constructive Criticism: Offer feedback in a way that encourages growth. Frame mistakes as learning opportunities rather than failures. Motivational Tools: Use rewards, praise, and encouragement to keep students engaged and motivated. Strategies: Set up a reward system for practice goals or learning new pieces. Offer performance opportunities, such as recitals or playing for family and friends. Share stories of famous musicians and their journeys to inspire students. 6. Developing Independence. Effective Practice Habits: Teach students how to practice effectively. This includes breaking down difficult passages, using slow practice, and setting specific practice goals. Self-Assessment: Encourage students to listen critically to their playing and identify areas for improvement. Problem-Solving Skills: Equip students with strategies to overcome technical and musical challenges independently. Strategies: Demonstrate practice techniques during lessons and have students replicate them. Provide practice logs or journals for students to track their progress and reflect on their practice sessions. Teach students to use recording devices to listen to their practice sessions and self-evaluate.
Name: Yuntong (Mary) (Full name will be provided upon registration)
Age: 25
Gender: female
I have attended the following schools earning the following degrees: - Mannes School of Music - Bachelor of Music - Mannes School of Music - Master of Music - VIU - Master of Educational Leadership I have performed in Lincoln Center and Carnegie Hall New York for continuously 6 years.
~ Prima Volta Competition Concerto First place 2018 ~ Elite International Music Competition Solo division First place 2018 ~ Elite International Music Competition Concerto First place 2018 ~ Prima Volta Competition Solo division Second place 2019 ~ CAI International Competition Concerto Second place 2019 ~ CAI International Competition Solo division Second place 2019 ~ CAI International competition Solo division First place 2020 ~ Canada International Piano Competition First place 2020 ~ Prima Volta Music Competition First place 2020 ~ Elite International Music Competition Solo division First place 2021 ~ CAI International Competition Solo division First place 2021 ~ Prima Volta Competition Solo division First place 2021 ~ Elite International Competition Solo division First place 2022 ~ CAI International Competition Solo division First place 2022 ~ Canada International Music Competition Solo division First place 2022 ~ Prima Volta Competition Solo division First place 2022 ~ Elite International Competition Solo division First place 2023
English
Mandarin
Rates and Studio Policies
Registration Fee: $25.00 (One-time lifetime registration fee may be used by all family members)
Rates for instruction:
30 minute private lesson: $39.00
45 minute private lesson: $49.00
60 minute private lesson: $59.00
Travel charge: additional $15.00 per visit (for lessons in a client's home as opposed to my studio)
1. Cancellation Policy
Lessons not cancelled or rescheduled with at least 24 hours notice are billable to the client and payable to the teacher. This does not of course apply to travel fees unless the notice is effectively given at the door and the teacher has travelled to the location.
2. Cessation (quitting) Policy
A client must provide a 2 lesson notice period to stop lessons. So a weekly student needs to give 2 weeks of notice, a biweekly student works out to 3 weeks notice and a twice weekly student works out to a week of notice.
3. Illness Policy
Lessons cancelled due to illness or extraordinary circumstances with less than 24 hours notice remain billable to the client and payable to the teacher.
BAH teachers are encouraged to offer a make-up lesson at a future date in the interest of client relations and general goodwill. This only makes sense as teaching a student with the flu for example, will ruin the rest of your week's employment.
No more than 2 lessons may be made up due to illness within a 60 day period.
4. Rescheduling Policy
Any lesson can be cancelled or rescheduled with at least 24 hours notice.
Summer Vacation and Extended Absence Policy
Clients may schedule longer absences for trips etc. 24 hours notice is required.
It is normal and typical for students and about 20% of our teachers to schedule a break in the summer. We do not enforce a notice period (see cessation of lessons) at the end of a long summer break.
5. Evaluation Period
There are no free trial lessons with Beethoven at Home but we do offer a 2 lesson evaluation period where it is easy to try out a teacher. There are no free lessons during the evaluation period and clients may choose to discontinue the lessons at any time by providing the required 24 hours notice. After the student's 3rd lesson the required 2 lesson notice period will apply (see cessation of lessons above).
Lessons in your home
Yuntong (Mary) is available to teach in your home if you are located in the following areas
Online lessons
Yuntong (Mary) can provide online instruction. While other platforms are possible BAH strongly recommends the use of the Zoom video conferencing platform as it is optimized for music lessons and audio quality.
Yuntong (Mary)'s Studio Location
Yuntong (Mary) offers lessons from her studio. Please note that map locations are based on the postal code of the teachers studio. address will be released to you if needed.