
Huizi holds a Doctorate in Music from McGill University with a specialization in percussion and brings a rich background in classical piano and Chinese musical traditions. She teaches drumset, marimba, percussion, piano, vibraphone, and xylophone, along with music theory, solfege, music history, and more. Lessons are available in English, French, and Mandarin at her studio in Brossard.
I hold a Doctorate in Music from McGill University’s Schulich School of Music, where I specialized in percussion under the mentorship of internationally acclaimed performers and pedagogues. My musical training began with classical piano studies at the age of five and continued with rigorous instruction through my adolescence. I studied with teachers trained in the Chinese Central Conservatory tradition, whose pedagogical lineage includes disciples of renowned pianists such as Fou Ts'ong and Yin Chengzong. My piano repertoire covered major works from the Classical and Romantic periods, and I was a regular participant in national youth competitions and conservatory masterclasses in China. In percussion, I studied under Aiyun Huang and Fabrice Marandola—both leading figures in contemporary percussion—and took part in masterclasses with Steven Schick and Dame Evelyn Glennie. As a performer, I have collaborated with ensembles including the Orchestre Symphonique de Montréal and leading contemporary music groups, bringing a versatile and international perspective to my musical work. I have taught both piano and percussion to students of all ages and levels, from absolute beginners to advanced and professional musicians. I teach all styles of music—classical, pop, jazz, and contemporary—and tailor each lesson to fit the student’s individual goals, interests, and learning pace. Whether working with amateur students exploring music for the first time or preparing advanced students for auditions and performances, my teaching is grounded in respect, encouragement, and a commitment to developing each student's unique artistic voice.
I hold a Doctorate in Music from McGill University’s Schulich School of Music, where I specialized in percussion under the mentorship of internationally acclaimed performers and pedagogues. My musical training began with classical piano studies at the age of five and continued with rigorous instruction through my adolescence. I studied with teachers trained in the Chinese Central Conservatory tradition, whose pedagogical lineage includes disciples of renowned pianists such as Fou Ts'ong and Yin Chengzong. My piano repertoire covered major works from the Classical and Romantic periods, and I was a regular participant in national youth competitions and conservatory masterclasses in China. In percussion, I studied under Aiyun Huang and Fabrice Marandola—both leading figures in contemporary percussion—and took part in masterclasses with Steven Schick and Dame Evelyn Glennie.
I have received numerous awards and distinctions throughout my musical journey, including top prizes at international competitions such as the Universal Marimba Competition in Belgium and the Italy Percussion Competition. I was also the recipient of the prestigious Schulich Scholarship at McGill University and was invited to present my artistic research at international festivals and academic conferences. These experiences have shaped me not only as a performer but as an educator, reinforcing my belief that music is both deeply personal and profoundly communicative.
I grew up in a musical household where discipline and creativity lived side by side. My earliest memories include the sound of my grandfather playing traditional Chinese instruments and my own hours at the piano, where music became not only a habit but a way of thinking. Much of my foundational training happened at home, and as a result, teaching has always felt like a natural extension of who I am. Over the years, I’ve taught students from diverse backgrounds—some preparing for conservatory auditions, others simply rediscovering joy through music. My experience as a professional performer, combined with my knowledge of both Western classical and Chinese musical traditions, allows me to adapt easily to each student's needs. Whether I’m helping a child find their first rhythm or guiding an adult through a Chopin nocturne, I approach every lesson with patience, intuition, and the belief that music belongs to everyone.
Huizi is a Beethoven at Home Associate Teacher
Home visit fee: $15 minimum fee. Teachers may negotiate a higher travel fee if the travel distance is longer than they are comfortable with. Most arrangements use the minimum fee.
One-Time Family Registration: $25. This covers your entire family for life - once you're in, everyone can take lessons!
Getting Started Together
We don't offer free trials, but we do something better - a relaxed 2-lesson getting-to-know-you period. You can pause anytime with just 24 hours notice. After your third lesson, we ask for a friendly 2-lesson heads up if you need to stop.
Life Happens - We Get It
Give us 24 hours notice for any cancellation or reschedule and you'll receive full credit. Planning a family vacation or summer break? Perfect - just let us know a day ahead and we'll pause your lessons.
When You're Under the Weather
If illness strikes with short notice (less than 24 hours), you'll still be charged since your teacher has reserved that time. However, most teachers are happy to offer makeup lessons when possible - they have the final say, especially if last-minute cancellations become a pattern.
Stopping Lessons
Need to take a break? We just ask for a 2-lesson notice:
Weekly lessons = 2 weeks notice
Every other week = 3 weeks notice
Twice weekly = 1 week notice
Summer breaks are different - no notice period needed when you return in the fall!
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